Friday, January 24, 2014

Highway Music Review


Highway Music Review
Music Direction : A R Rahman
Lyrics : Irshad Kamil

What I expected? : Rahman in his splendid form, after the brilliant Raanjhanaa and by the looks of initial releases, Patakha Gudi and Maahi Ve!

Maahi Ve, with towering vocals from Rahman and underlying hip hop beats, cannot get any more sexier! The spiced up arrangements adds to the beauty. The similarity in beats with Maahi Ve doesn't but affect the Punjabi-folk-hip-hop Patakha Guddi the slightest. Nooran Sisters enthralls and Rahman pulls out magic in the F and M versions respectively. Watch out for the amazing rock-revamp towards the middle in the M version, bloody awesome, that! Jonita Gandhi breaks into the Rahman league with Kahaan Hoon Mein and what a pure ear orgasm the piece is! Jonita's vocals fit perfectly into the keys led beauty of an arrangement in here. All hail Rahman! Wanna Mashup is not so lucky though. In parts it looks like an attempt to ape K-Pop style, from the reggae beats and rapping, but has gone horrible bad, Suvi Suresh, Krissy and Kash tries hard though. Sooha Sooha is neat, calm, soothing and fascinating, all at the same time. An ethereal lullaby tune that can take you back to the Rahman of the early 2000s, the folk track is here to stay. The real stunner comes through the vocals of Zebunnisa Bangash where she pulls a winner while Alia Bhatt sings one stanza, impressively! Tu Kuja, with Urdu lyrics, works big time, thanks to Sunidhi's singing and the deep and sonorous desi orchestration. Heera has a surreal beauty within, it is the violin and the smooth tune probably, and Shwetha Pandit's controlled whispery vocals add to it. Jonita Gandhi's haunting humming is spread all over Implosive Silence, an instrumental piece primarily, where Rahman apparently plays with his electronic production skills. Impressive!

Verdict : Highway music doesn't disappoint. It has plenty in store for us to hear and hear again and relish for the coming days. But when juxtaposed with expectations, the album is two notches lower. I mean it just doesn't click the way Rockstar or Raanjhanaa or even Jab Tak Hai Jaan did. Not that it is bad though, just that it won't be featuring among Rahman's best works years from now. May be this is the kind of music the movie demands, I don't know. Nevertheless, when compared to the current condition of mainstream Bollywood music, Highway is still a huge and welcome relief! Highway, high on music! Very Good.

Must Hears! : Sooha Saha, Maahi Ve, Patakha Guddi, Heera


AVOIDABLE<POOR<BELOW AVG<AVERAGE<GOOD< VERYGOOD <EXCELLENT!<OUTSTANDING!

5 comments:

  1. A highway is any public road or other public way on land. It is used for major roads, but also includes other public roads and public tracks: It is not an equivalent term to controlled-access highway, or a translation for autobahn, autoroute, etc.

    In North American and Australian English, major roads such as controlled-access highways or arterial roads are often state highways (Canada: provincial highways). Other roads may be designated "county highways" in the US and Ontario. These classifications refer to the level of government (state, provincial, county) that maintains the roadway.
    In British English, "highway" is primarily a legal term. Everyday use normally implies roads, while the legal use covers any route or path with a public right of access, including footpaths etc.
    The term has led to several related derived terms, including highway system, highway code, highway patrol and highwayman.
    The term highway exists in distinction to "waterway".
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